1998 Students Theatre Festival-"Fool's Yard", director Mihai Serghei Todor, Tirgu-
Mures 1997 Studio of Medi******* Art- "The Temptations of Hans"- medi******* ******, directors:
Mihai Sergei Todor and Apostol Gabriel, Sighisoara PERSONAL EXHIBITIONS: 2007 Atitudes -Carturesti Buc. 2001 25 years of Metro, Brussels 1999 Café de la Joie, Bucharest 1998 Radio Hall, Bucharest Gallery 5, Bucharest 1997 Fine Arts Funds Gallery, Tirgu-Jiu Romanian Culture Institute-"Sacred Human", Venice Romanian Academy-"Sacred Human", Rome Romanian Cultural Center-"Sacred Human", Budapest 1996 Central European Commission, Bucharest Club Art, Bucharest
GROUP EXHIBITIONS: Exhibitions of drawings, tissues, printing works
2007 MALLNITZER SYMPOSIUM FÜR MODERNE KUNST -ÖSTERREICH 2006-2007Balkanart -CacaK (Art and Paper) Serbia 2005 MAKE FRIENDS, NOT WAR- art gallery Ripustus in Finland 2001 “Mall “ Free- Art Gallery, Bucharest Dalles Hall – Autumn Art Exhibition, Bucharest 2000 Apollo Gallery, Bucharest TIAV 2000, Bucharest 1999 "The Sacred in Art"- Fine Arts Funds Gallery, Tirgu-Jiu The County Museum Gorj Studio 35, Bucharest: "The eclipse-affect and effect" 1998 Romanian Peasant Museum, Bucharest (graduation work) Studio 35, Craiova Art Exhibition: "Home of Art", Bucharest Autumn Art Exhibition- Fine Arts Funds Gallery, Tirgu-Jiu "Carols"-Constantin Brancusi University, Tirgu-Jiu 1997 Students Festival of Religious Art- Students Cultural Club Romanian Cultural Center, Paris Fine Arts Fund Gallery, Tirgu-Jiu 1995 National Art Museum, Bucharest- National Theatre, Bucharest 1993, 1994, 1995, 1998 Students Festival,Timisoara 1992 National Theatre, Luxembourg
Works in private collections : Romania, Luxembourg, Belgium, Germany, France, Canada,
Ressam, her yüzyılı daima takip edip, doğalı yakalamak için, ritmi, ışığı ve rengi çok iyi değerlendirmelidir.
Düşüncesine sahip olan Sevgili Ressam ATHOS FACCINCANI
Peschiera del Garda29 Ocak 1951 Doğumlu İtalyan Sanatçı, annesi’nin de desteği ile resim sanatına yöneldi.
Sanatçının,kullandığı canlı renkleri, tuval üzerinde dikkati çeken ilk özelliklerdir. O' nun doğaya bakış açısı, enerji ve ritim üzerine kuruludur.Güncel konuları kendi üslubuyla yorumlaması, belki de göremediğimiz farklı bir bakış açısını bizlere sunmaktadır.Sarı,mavi ve kırmızının ağırlığı ise O'nun Exprestyonist(dışavurumcu) özelliğini simgelemektedir.
Sosyal bir hayat anlayışı içerisinde, dinamik bir sanatçıyı sizlere tanıtmaktan büyük bir mutluluk duyuyorum.
ENGLISH
Master Athos Faccincani was born in Pes-
chiera del Garda the 29th of January, 1951. In the '63-64 , still at the age of 13 years old, begins to attend to the studio of Master Pio Semeghini; he then attends to the technique schools and he's always more present. Around the years 67-69, in the Venetian studies of Novati, Gamba, Seibezzi. Always in this period, he gets to know Ottorino Garosio and Angelo Fiessi, in Brescia. Cesare Marchi wrote: "... to gratify his mother, that, like every mothers, dreamed for him a quiet bourgeois work, he signed up to the accountant's institute. He woke up at 4, to make his homework. His afternoon was consecrated to painting by frequenting the studio of old Semeghini, and when he graduated with maximum votes and the mother was already trying her best to find a job for him as a banker, he gave her another displeasure by running to Venice, to sign up to the Academy of Fine Arts. For months he lived with art and hamburgers, affectionate client of the most known milk-bars. He was an apprentice under Guidi, Seibezzi and Marco Novati. Angelo Gamba made him get up early so that he could see the dawn. "I saw it yesterday" always said Faccincani to shield himself, since he was tired not for lack of slumber but for lack of food. "Remember that every dawn differs from the previous ones" replied the Master, "not only because the day changes, but because we change as well." After a dozen of early wakings, he wrote to the mother, informing her that he would never, ever become a banker. How was it possible to stay curve and stamp cheques while your eyes were full of seagulls and lagoon dawns? “ In 1970, after finishing the studies, the young Athos dedicated to equitation with great passion and at the same time, practising the painting, brotherly helped by Nantas Salvalaggio. In those years his observation spirit, now undeceived, put him in front of the first, painful impact with social reality and its problems. He understands that life is made also of emargination, pain, jails and gangsterism. He feels the strong need to partecipate himself to the civil intent's climat, and he becomes a champion of handicapped, poor and aided people. His paintings, in an address artistically applied to the enigma of human feelings, to their drama and to their contradictions, resumes melancholy and suffered colors in the representation of engaged figures.
The study culminates with the development of paintings on the "Follia delle Attese", and on the "Resistenza". His "Personali" receive the visit of the President of Republic, Sandro Pertini. In 1980, after a path full of artistic and literary events, a period of interior regeneration begins, a period of reconstruction, with the passage in short time from figure to scenery. The attention is inexorably oriented to the nature that Faccincani loves in its sacred entirety, becoming its only model. There is a radical change in his existential and stylistic attitude, moving to the production of images of clear impressionist derivation, with its pure and bright colors, inclined to cultural motivations of 2000: light, sun and simple narration. It is a painting attester of joy and serenity, in the contest of retrieving the figurative and the interior valors. Salvalaggio wrote: "Like every strange people... Faccincani had periods full of talent and lack of moderation. He lived and wandered with the best and the worst of humanity: he depicted drunken old men, filthy rich men, whores of boulevard and lackeys of the underworld. To fully understand those transgressions and those desperations, he listened to the stories of thieves and melancholies of drunkards. It's because of this that in his paintings you can see both violence and tenderness. It is a shout that rises from a defeated humanity, melt together with the ring of a young merlin, to the music of a spring river. His inspiration is fresh, maybe sometimes even naive, in an age that lacks of emotion and passion, Faccincani isn't afraid to touch and to be touched, to smile and let smile. Damn him, you can feel that for him the world always has something witched about it, and with his colors he can give you that sweet, sweet magic of witch.
6/4/2008 - Sizleri bekleyenler var.Kimler mi?!Bizim Çocuklar
Sevgili Dostlarım,
Hayatta paylaşmaya değer çok az anlar vardır.Bu paylaşımların başında birilerine yardımcı olmak gelir.Bu duygunun neler ifade ettiğini ancak yaşayınca anlarız.
Bugün ülkemizde sokak çocukları, kimsesiz çocuklar, zihinsel engelliler, fiziksel engelliler, lösemili çocuklar, kanser hastaları, aids hastaları, yaşlılar, şehit yakınları, organ nakli bekleyen hastalar, yoksul aileler ve daha bir sürü yüzdesel açılım payı olan kişiler bulunmakta.
Bütün bu yüzdeleri toplarsak eğer, 70 milyonluk Türkiye’de yaklaşık % 42 ‘lik oranda yardıma muhtaç insanlarımızın olduğunu vebu trajedinin nasıl bir tablo oluşturduğunu görmemiz mümkün.
Yani, bu kadar çok insanımız yardım ellerimizi beklemekte.
Her şeyin parayla satın alındığı bu yüzyıldaher şeyin para olmadığını bilen vatandaşlar olarak halkımıza yardım ellerimizi uzatmalıyız.Sadece gönüllü olarak çalışmalara destek vermeniz bile yeterlidir.
Çöpe attığınız her ekmeğin bir çocuğu doyuracağını, giymediğiniz her kıyafetin bir yoksulu ısıtacağını, kullanmadığınız her eşyanın bir vakıfta yeri olduğunu, bağışlayacağınız her kan ve organın bir insanı hayata bağlayacağını, ziyaretinizle minik yüzlerin ışıldayacağını ve sırtınızı şefkatle sıvazlayacak yaşlı bir elin sizi beklediğini yatağa girmeden önce hiç olmaz sa bir an düşünün.Bu ülkeyi sözler değil, hareketler kurtarır.
Siz sevgili dostlarımı aşağıdaki adreslere ziyarete bekliyorum.
SANATA YOLCULUK!..
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